1.0Galería Guerrerohttps://guerrerogaleria.es/en/galeriasitgeshttps://guerrerogaleria.es/en/author/galeriasitges/rich600338<blockquote class="wp-embedded-content" data-secret="dXib6aG7XR"><a href="https://guerrerogaleria.es/en/artists/africa-aycart/">AFRICA AYCART</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://guerrerogaleria.es/en/artists/africa-aycart/embed/#?secret=dXib6aG7XR" width="600" height="338" title="“AFRICA AYCART” — Galería Guerrero" data-secret="dXib6aG7XR" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> Algeciras 1969 Spaniard Artist who takes up the painting space as an action with therapeutic value. Her excellent proposal mixes the investigation with abundant emotion. That, is for sure, the most remarkable feature in her identity as an artist.   The observation and the technical audacity delivered when she paints is the reaffirmation, in a […]